Paintings 2016-2017

The Blue Wall. Mixed media on board. 36x28cm

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Mothercloud. Mixed media in board 38x26cm 2016

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Myriads 2. Spain. mixed media on board. 33x26cm. 2017

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Myriads . mixed media on Canvas. 90x70cm. 2017

Copy of field 4 Spain. acrylic on board. 28x38cm_1

Field 3 Spain. mixed media on board. 33x24cm. 2017

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Our Path. mixed media on board. 28x24cm. 2017

2

Untitled landscape Spain. 24x22cm. 2017

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our fires. Acrylic on paper. 28x24cm. 2016

2

Ebro Shoreline.  Acrylic on Canvas. 60x50cm. 2016

 

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Dispersion. Acrylic on paper. 38x30cm. 2016

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Florabunda. Acrylic on paper. 38x30cm. 2016

 

park bench Spain 2016

park bench. Spain. Acrylic on board. 28x4cm. 2016

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Untitled 1. Mixed media on board. 33x4cm. 2016

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Untitled 2. Mixed media on board. 33x4cm. 2016

 

 

 

 

 

 

 

Paintings 2009-2016

 

order and chaos 4. 2016

Order and Chaos 4. mixed media on canvas. 28x24cm. 2016

 

from a field, Spain 3.2016

From a Field,Spain. mixed media canvas. 48x35cm. 2016

 

park bench Spain 2016

Park Bench Spain. 28x24cm. mixed media on board. 2016

 

Untitled 2009. mixed media on canvas. 52x40cm.

 

The forest floor. Mixed media on board. 18x12xm.2013

 

A landscape of where you are. 60x50cm

A landscape of where you are. mixed media on canvas.60x50cm. 2013

 

Devotion. 26x28cm. Mixed media on canvas. 2010.

Devotion. 26x28cm. Mixed media on canvas. 2010.

 

Untitled 2012. mixed media on canvas 40 x35cm 2010.

Untitled 2012. mixed media on canvas 40 x 35cm 2010.

 

Summit. mixed media on canvas. 42 x 32cm.2011

 

Small fires 6. Spain 2012. 35x45cm. acrylic on canvas

small fires 6. Spain 2012. 35x45cm. acrylic on canvas

 

 

The Tropics. Mixed media on canvas.48x34cm. 2013

The Tropics. mixed media on canvas 48x34cm.2013

 

Rio Madre mixed media on paper 34x32cm

Rio Madre mixed media on paper 34x32cm

 

Looking in 2. 2014. Canvas 32x38cm

Looking in 2. mixed media on canvas 32x38cm.2014

 

Untitled 2015

Untitled 2015

 

Order and Chaos 3. 48x42cm.2014

Order and Chaos 3. 48x42cm.2014

 

order and chaos. 40x36cm. 2014

Order and Chaos 2. 40x36cm.2014

 

Undergrowth. 26x24cm. August 2014

Undergrowth. 26x24cm. August 2014

 

Untitled october 2014. 120 x70cm

Untitled october 2014. 120 x70cm

Event. July 2014 45x38cm

Event. July 2014. 45x38cm Spain

 

Order and chaos. October 2014. 35x30cm

Order and Chaos 4. October 2014. 35x30cm

 

 

 

Blackened trees.2013. 26x36cm. mixed mediaon canvas.

Blackened Trees.2014

 

Campfire. 42x36cm 2013

Campfire.2013

 

Small stack. mixed media on canvas. 28x26cm. 2014

Small Stack.2014

 

from nature 2012

Nature Painting. 22x27cm. 2010

 

At one with the Birds. mixed media on canvas. 38x30cm

At one with the birds.2013

 

At one with the birds 2. Dec 2013

At one with the birds 2. 2013

 

Field December 2013

Field December 2013.

 

The gardener at night, 2013. Canvas 45x60cm(2)

The Gardener at night. 2013

 

Flower head and pollen 2004

Flower head and Pollen 2004

Untitled 2011

Untitled 2011.

Shrubs. mixed media on canvas board. 2011

Shrubs. mixed media on board. 22x24cm. 2011

Interior Nature 3. 22x27cm. mixed media on canvas 2012.

Interior nature 3. 22x27cm. mixed media on canvas. 2012

Thunder clouds over cuarte. 2013

Woodpile. 2013

mixed media on canvas. 36x32cm

Fallen tree. 2009

From the mountains to the sea. 2010

Small fires. 2012

The last cut. 2007

Untitled Spain 1. 2005

The night and fruit trees. 2009

From a Landscape. 2011

Sequia 2006.

 

from the edges 2

From the edges 2. mixed media on board. 2006

 

Two parts

Two parts. Mixed media on canvas. 90x90cm.2006

 

Particle. mixed media on board. 36x28cm.2006

 

DAYS GROW LESS 34x26cm

Days grow less. 34x26cm. mixed media on board. 2006

 

Sequia 3. mixed media on canvas. 45x38cm.2006

 

sequia 4

Sequia 4 (blowing seed) mixed media on canvas. 45x38cm. 2006

 

ARCHETYPAL MESSENGER mixed media on canvas board

Archetypal messenger. mixed media on board. 27x22cm. 2006

 

SEQUIA#5 mixed media on canvas

Sequia 5. mixed media on canvas. 45x38cm.2006

 

sequia 8 2006

Sequia 8. mixed medai on canvas 45x38cm. 2006

 

 

Dead roots 100x90cm 2006

Dead Roots. mixed media on canvas. 100x90cm. 2006

 

From the edges 2. mixed media on canvas. 27x22cm. 2006

Articles. CV.

Circa Review Roads through mountains Jane humphriesArticle Terra canto rubicon gallery 1993

INTRODUCTION

 

As with many of the great Spanish artists – Murillo, Zurbaran, Ribero, El Greco – the paintings of Goya are often fringed by a deep, enveloping darkness. From him we know that horrors may lurk there, horrors that are the stuff of nightmares. “The sleep of Reason produces monsters,” he inscribed on one of the etchings that make up Los Caprichos. The image is in a sense an allegory of creativity. He meant that imagination must be held in check by reason, and that the task of the artist is to engineer a balance between the two.

         Most of Clifford Collie’s recent paintings are similarly articulated against a velvety darkness. They mediate between the unseen, the unknown, and the waking world of reasoned perception. With care and even tenderness, they evoke lustrous, ambiguous forms that both invite and confound interpretation. It is as if, caught between sleep and wakefulness, we catch a fleeting, fragmentary glimpse of something that may be real, may be part of a dream, may even be something imperfectly remembered. Yet access to this hesitant, indeterminate space can free our imaginations, allowing us meditative scope. It is a valuable space for reflection.

         Over the last 14 years, Collie has split his time between Ireland and Spain, where he has been based variously in Girona, Bilbao and, now, close to the city of Zaragosa in Aragon, on the edge of Los Monegros, a region which incorporates the only desert in Western Europe. Hence the title he has given to this exhibition: Sequia, or Drought. The hard, brilliant light of the desert may seem remote from the accommodating darkness we find in the majority of the paintings, but then, bright light makes for deep shadows.

         In many respects the influence of Spain on the evolution of his work was incidental, in that he did not go there because of a particular interest in Spanish painting. That sympathy has developed over time, out of his engagement with the qualities of the landscape and the culture. Dutch still life painting was perhaps even more important in shaping his vision. Still life emerged as a term in the Netherlands during the 17th century, when it came into its own as an artistic genre. Virtuoso paintings of flowers, fruit, vessels, foodstuffs and other household objects were laden with symbolism. In vanitas type compositions, representations of sources of pleasure and objects of beauty were reminders of the transience of life.

         On the face of it, Collie is to some degree a still life painter. In the past, vessels and fruit have been subjects of intense scrutiny in his work. Comparably, gourds and roots – dried out organic forms as the title Sequia suggests – are current objects of fascination, ordinary things of great though generally unremarked beauty. On the evidence of the paintings, one could say that on more than one occasion he has moved outside into the landscape, but perhaps the point is that the terms outside and inside are not particularly relevant to his work. His pictures are not quite either still lifes or landscapes, though in a way he does take his cue from the Dutch artists. The objects around which the works are formed become something else, they become mysterious, emblematic, flaring presences. Embodied with quiet attentiveness, bearing intimations of transience and fragility, they stand for what is both simple and precious in life, what should be cherished; persuasive amalgamations of reason, imagination and feeling.

 Aidan Dunne    Art Critic 

 April 2006

 

CV clifford collie 2016